The pioneering electronic sounds of Daphne Oram reimagined by TAAHLIAH, Cosey Fanni Tutti, Marta Salogni, Arushi Jain and others using tapes from Oram's archive.

To mark the centenary of overlooked electronic pioneer Daphne Oram, Nonclassical - together with Oram Trust and Oram Awards - have commissioned new music by a set of contemporary visionary minority-gender electronic artists celebrating the next generation of trailblazers.

This group of artists span early-career to high-profile DJs and musicians across diverse electronic worlds, representing a spectrum of distinct practises - from uncompromising club beats, performance art and sound art to ambient music and deconstructed future-forward Arabic dance music.

The artists have created these new works using samples from Oram's archive - housed at Goldsmiths, University of London - which features a mix of sound clips covering not only her innovative Oramics machine and other electronic music, but also match strikes, cat purrs, scraped objects and commercial jingles as well as recordings of Oram's own voice.

1. Cosey Fanni Tutti / Daphne Oram - Tributum
2. TAAHLIAH / Daphne Oram - Gosamour
3. Magz Hall & Mieko Shimizu / Daphne Oram - Folly Tower Blooms
4. Nwando Ebizie / Daphne Oram - The Art Of Living
5. xname / Daphne Oram - SEANCE
6. Deena Abdelwahed / Daphne Oram - Eidolon
7. Lola de la Mata / Daphne Oram - Folly Folly Folly
8. Arushi Jain / Daphne Oram - Electronic Music Is Loud
9. afromerm & abi asisa / Daphne Oram - 1966 interrupted
10. Marta Salogni / Daphne Oram - An Individual Note